"A CLOCKWORK ORANGE" Limited Edition giclee print (No 5 of just 50) by David Chamberlain - PRINT SIZE 42cm x 29.7cm (A3)
Unmounted and unframed:
An opportunity to purchase a superb, rarely available, LIMITED EDITION fine-art photographic print from acclaimed British fine-art photographer David Chamberlain. This print is really quite amazing. Not only creatively and artistically but technically - it is stunning. The detail is such that you feel you could almost touch and feel the textures. Wonderful!
Presented, is a one-off opportunity to purchase a low numbered edition (Edition Number 5/50) of this fine print. Few are available for worldwide sale. Edition Number 1/50 is in fact, held by the photographer himself and will never be available! With only 48 remaining prints existing in this strictly limited print run, this example is really quite exclusive and also, extremely beautiful to look at and own.
Printed on archival, quality fibre-based paper, using the finest pigments available, for maximum fade resistance and accuracy of colour and tone, this print is truly stunning to look at. Supplied complete with original certificate of authenticity, numbered and personally signed by the photographer, this is an opportunity not to be missed by collectors or indeed, those who simply enjoy high end fine art photography.
David Chamberlain's information on this image is reproduced below:
‘A Clockwork Orange’
A CLOCKWORK ORANGE, 1971 landmark film by Stanley Kubrick, starring Michael Bates, which attracted so much criticism alongside critical acclaim, that Kubrick himself withdrew the film from general release in 1974 from which time it was not seen officially again until after his death
in 1999.
The film was an adaptation by Kubrick of the 1962 Anthony Burgess novel, the title of which is drawn from the once common cockney expression for anything which was a bit mad, quote: “As mad as a clockwork orange” end quote.
My own photograph, certainly 'a bit mad' in it's own right, is a literal interpretation of this original cockney expression, incorporating a direct reference also to Kubrick’s film through the inclusion of the symbolic bowler hat so relevant to the film itself.
David Chamberlain November 2008